Browse Items (7 total)

Shows how Kant wrote his Critique of Judgment as a synthesis of English theories of “taste” and civil society and German theories of “aesthetic.” Writers since Hobbes have used theories of art to advance theories of society. Kant sought a middle way…

Interprets an “increasingly visible weariness and distrust towards democracy” and proposes the construction of contemporary “Academies of Art” to aid in the education of “mature” citizens. Lachenmann interpolates his remarks into two discourses.…

Sakakibara describes her work with Iñupiat peoples in the arctic who are facing climate change issues related to their food harvesting and cultural practices. The communities have a strong connection to whaling, expressed linguistically, ceremonially…

Received most often as Kant’s aesthetic treatise, but also understood as his mature political treatise (cf., Hannah Arendt’s “ectures on Kant’s Political Philosophy). Unlike most aesthetic treatises before and since, this one privileges natural over…

A by-now classic and deeply influential critique of the foundational assumptions of ecocriticism (and strands of Romantic literature), Morton’s book issues a challenge to the idea of Nature as a transcendental term—and to the fantasy of a…

Argues that Kant’s Critique of Judgment represents his mature political philosophy. Judgment is important for Arendt as the faculty which mediates between particularity and universality, thereby providing the conditions for a uniquely human…

Deserves as much credit as any source for bringing the political implications of Kant’s Critique of Judgment into contemporary discourse. Despondent over the perceived failure of the French Revolution, Schiller asks, “Why are we still barbarians?” He…