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- Tags: destruction
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The Guillotine and the Terror
A very original if somewhat disturbing book on the imaginary of the French Revolution. Arasse, a historian of art, discusses the stories that were created about and around the guillotine. He shows how the machine was invested with the values and…
Tags: art, destruction, disciplines, revolution, science
Oral histories of North and South American survivors of the atomic bombs
Consisting of fifty-six oral histories of survivors collected by Mexico-based artist Shinpei Takeda from 2005 to 2010, as well as seventy-three oral histories of U.S. survivors and their supporters collected by US historian Naoko Wake from 2010 to…
Man and Society in Calamity: the Effects of War, Revolution, Famine, and Pestilence upon the Human Mind, Behavior, Social Organization, and Cultural Life
This is a new edition of a book published originally in 1942 by one of the founders of American sociology, Pitrim Sorokin. At the time the book fell under the radar and it remains little known today, but it is a pioneering work in many ways,…
Hiroshima: Three Witnesses
Hiroshima: Three Witnesses is a translation of “atomic bomb literature,” created by three Japanese authors Ota Yōko, Hara Tamiki, and Toge Sankichi, all of whom survived the atomic bombing of Hiroshima in August 1945. As both a witness and a writer,…
Tags: art, catastrophe, culture, destruction, landscape, science, social reorganization, upheavals
Hiroshima o mochikaetta hitobito: “Kankoku no Hiroshima ha naze umareta no ka (Bringing back Hiroshima: The birth of “Hiroshima in Korea”)
This book is about Korean survivors of the atomic bombings of Hiroshima and Nagasaki in 1945. Although little-known, approximately 1 in 10 people victimized by the bombs were Koreans who had come to Japan since the turn-of-the-century. Their history…
Gothic Fiction and the Invention of Terrorism: the Politics and Aesthetics of Fear in the Age of the Reign of Terror
Crawford offers a new take on the rise of the Gothic in the late 18th century. Most interpretations see the gothic as a reaction to the upheavals of the revolutionary era. The new realities created by Revolution, so the argument goes, gave rise to…
Tags: art, destruction, disciplines, revolution, transgression
Death and the Maiden
A play written by the Argentine-Chilean playwrite and activist, Ariel Dorfman. It tells the story of a woman confronting the man who allegedly took part in her torture under the previous, dictatorial regime. The woman's husband is a magistrate who is…
Between Vengeance and Forgiveness: Facing History after Genocide and Mass Violence
"A fractured meditation on the incompleteness and inadequacy of each possible response to collective atrocities," is how the author of this work describes what she has written, and it is an apt description. It is a beautiful book, written by a…
Ariel's Ecology: Plantations, Personhood, and Colonialism in the American Tropics
Allewaert uncovers the enmeshment of persons in places-- and the imbrication of the nonhuman and the human-- in eighteenth-century American plantations (and the literature, culture, and thought circulating around and through them). Her book imagines…
Alimut Elohit: Shnei Hiburim al Elohim ve Asson[Divine Violence: Two Essays on God and Disaster]
Ophir, an Israeli philosopher, examines the connection between God and disasters. From the bible and through much of western history, disasters were seen as caused in some manner by God's will. Ophir examines this tendency and argues that in the…
Tags: citizenship, destruction, disciplines, revolution, transgression
“The Past is Evil/Evil is Past: On Retrospective Politics, Philosophy of History, and Temporal Manichaeism,”
Bevernage turns to the Enlightenment in order to explain why so much of contemporary politics is focused on rectifying past wrongs. He argues that the 18th century saw the emergence of a modern philosophy of history, which identified the past with…
Tags: destruction, disciplines, historiography, human rights
"Art and Democracy"
Interprets an “increasingly visible weariness and distrust towards democracy” and proposes the construction of contemporary “Academies of Art” to aid in the education of “mature” citizens. Lachenmann interpolates his remarks into two discourses.…
Tags: aesthetic, citizenship, contemporary, destruction, disciplines, Lachenmann, music, philosophy, Schiller
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